Andi Moran is a “2008 Art in the Round Contest” participant.
Artist’s Statement: The botanical nature of this series of work makes reference to the Buddhist teaching that man is born with both positive and negative seeds stored deep within his soul. The developmental direction of each man depends upon which seeds are brought to the surface and watered.
This classic dualism between good and evil is exemplified by rounded, simplified breasts and bellies reflecting the nurturing side, while spikes and horns represent its destructive side. Each piece is a lidded vessel; each has an internal cavity, which holds unrealized potential.
I am fascinated with the formal and surface qualities found in natural objects and historical artifacts. The influences from nature and history that have most impacted my work are ancient weaponry, African sculpture, Chinese bronze vessels, succulents and invertebrates.
When I am not in the studio, I enjoy cooking, gardening, cycling, yoga, and playing with my dogs.
Artistic Resume:
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BFA, Louisiana Tech University, 1980
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Became a self-employed studio artist, 1988
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Participated in American Craft Council Wholesale Shows, 1991-2006
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Adjunct faculty in the ceramic department, Louisiana Tech University, 1994-1997
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Received the Individual Artist Fellowship Award from the Louisiana Division of the Arts/NEA, 2004
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I have participated in over 80 juried and invitational exhibitions
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My work has been published in magazines and books including, “Teapots, Makers and Collectors”, “The Ceramic Design Book”, “American Craft”, “Smithsonian”, and “Ceramics Monthly”.
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Wonderful work, Andi!!
I love this work!
Brilliant and inspiring, as always, Andi.
Your work is Awesome!!!!
Terry and Annie are trying to vote….
Very hip and creative and quirky: they remind me of grown-up Dr. Suess trees. Or sperm. They strike me as sort of a combination of anatomical/physiological and botanical.
The work has an uncanny relation to primoridal life forms; quite beautiful.